Melania TOMA

Title, date

material
Dimensions cm

 

Title, date

material
Dimensions cm

 

 

ARTWORK STATEMENT

My latest production addresses collective healing and binge-healing notions by creating sculptures conceived as ghost-hybrid creatures. These embodiments are questioning the schisms of biomedicine inside post-human beings that are profoundly linked with the social-environmental context and the unseen realm of spirits.

 

 

BIOGRAPHY

At the center of Toma’s practice lies the exploration of the narrative subjectivity – intersubjective we, within historically situated traversing webs of gender, power hierarchies, and ecological degradation.  These intersectional analyses include less visible ‘intimate’ scales, such as concepts of femininity, structures of domesticity, and the possibilities of the transformative power of the self. She addresses the palimpsest of colonial ideologies and narratives that are necessarily linked to them, through research that highlights the theme of collecting as a practice. Her work is not rooted in one geographical place and culture but as an interconnected process around the notion of cure. She wants to create works that serve as trans-morphing objects whose extrinsic power crosses the boundaries between ‘us’ and ‘I’, producing new ecological imaginaries and understandings of inner or “domestic” places

 

 

SUSTAINABLE DEVELOPMENT GOALS

3 – Good Health and Well-being

7 – Affordable and Clean Energy

10 – Reduced Inequalities

11 – Sustainable Cities and Communities

12 – Responsible Consumption and Production

13 – Climate Action

15 – Life on Land